The Chronicles of Narnia is a
series of seven fantasy novels for children written by C. S. Lewis.
They present the adventures of children who play central roles
in the unfolding history of the realm of Narnia, where some animals
talk, magic is common, and good is fighting evil. The books are
also known for their illustrations by Pauline Baynes. The stories
illustrate aspects of Christianity in a way that is accessible
to younger children.
Christian parallels
Although the books contain allusions to Christian ideas, an allegorical
reading of these books is quite confusing and reductionist. In the
process of writing his fantasy works, Lewis (an adult convert to Christianity)
eventually came to incorporate some elements of Christian theological
concepts into the stories in a way that was accessible to the average
reader.
In this Lewis succeeds; The Chronicles of Narnia have
become favourites with both children and adults. The books are not
weighty, and can be read for their adventure, colour, and mythological
ideas without concern for the Christian issues. Lewis maintained that
the books were not allegorical, and preferred to call the Christian
aspects of them "suppositional". This is similar to what
we would now call alternative history.
One of Lewis' early academic publications was The Allegory
of Love (1936), about medieval allegories of courtly love. Consequently
he kept a strict definition of allegory. As he states in one letter:
"If Aslan represented the immaterial Deity in the
same way in which Giant Despair represents despair, he would be an
allegorical figure. In reality however he is an invention giving an
imaginary answer to the question, ‘What might Christ become
like, if there really were a world like Narnia and He chose to be
incarnate and die and rise again in that world as He actually has
done in ours?’ This is not allegory at all."
Lewis also dispelled the myth that he had originally fashioned the
stories for the purpose of demonstrating Christian principles:
"Some people seem to think that I began by asking
myself how I could say something about Christianity to children; then
fixed on the fairy tale as an instrument, then collected information
about child psychology and decided what age group I'd write for; then
drew up a list of basic Christian truths and hammered out "allegories"
to embody them. This is all pure moonshine. I couldn't write in that
way. It all began with images; a faun carrying an umbrella, a queen
on a sledge, a magnificent lion. At first there wasn't anything Christian
about them; that element pushed itself in of its own accord."
Numbering the books, publication order and internal chronology
The books of the series, in the order of their publication, are:
The Lion, the Witch and the Wardrobe (1950)
Prince Caspian (1951)
The Voyage of the Dawn Treader (1952)
The Silver Chair (1953)
The Horse and His Boy (1954)
The Magician's Nephew (1955)
The Last Battle (1956)
The first American publisher, Macmillan, put numbers on the books
and used the publication order. When HarperCollins took over the series,
the books were renumbered using the internal chronological order,
as suggested by Lewis' stepson, Douglas Gresham.
The Magician's Nephew (1955)
The Lion, the Witch and the Wardrobe (1950)
The Horse and His Boy (1954)
Prince Caspian (1951)
The Voyage of the Dawn Treader (1952)
The Silver Chair (1953)
The Last Battle (1956)
Gresham quoted Lewis' reply to a letter from an American fan in 1957,
who was having an argument with his mother about the order:
"I think I agree with your order (i.e. chronological)
for reading the books more than with your mother's. The series was
not planned beforehand as she thinks. When I wrote The Lion I did
not know I was going to write any more. Then I wrote P. Caspian as
a sequel and still didn't think there would be any more, and when
I had done The Voyage I felt quite sure it would be the last. But
I found as I was wrong. So perhaps it does not matter very much in
which order anyone read them. I'm not even sure that all the others
were written in the same order in which they were published."
Nevertheless, the reordering has brought ire from many fans of the
series, who appreciate the original order which introduces important
parts of the Narnia universe in the early part of the series and then
provides explanation for them later in the prequels, in particular
the creation story in The Magician's Nephew. Other arguments for the
publication order include that Prince Caspian is subtitled "The
Return to Narnia", and that the following fragments of text from
The Lion, the Witch, and the Wardrobe support it as being the first
book in the series:
None of the children knew who Aslan was, any more than
you do.
That is the very end of the adventure of the wardrobe.
But if the Professor was right, it was only the beginning of the adventures
of Narnia. |